![French Quarter Festivals, Inc.](/img/default-banner.jpg)
- 146
- 358 615
French Quarter Festivals, Inc.
Приєднався 5 тра 2014
French Quarter Festivals, Inc. (FQFI) is a 501 (c) (3) nonprofit organization that hosts three events annually: French Quarter Festival in April, Satchmo SummerFest in August, and Holidays New Orleans Style in December. FQFI promotes the Vieux Carré and the City of New Orleans through French Quarter Festival and other high quality special events and activities that showcase the culture and heritage of this unique city, contribute to the economic well-being of the community, and instill increased pride in the people of New Orleans.
Satchmo SummerFest 2024 Commercial
Satchmo SummerFest presented by the New Orleans Tourism and Cultural Fund (NOTCF) is a two-day celebration that is one of the only festivals in the world dedicated to honoring Louis Armstrong. It features two stages of music, a delicious culinary lineup featuring Louisiana restaurants, and an incredible indoor lecture series poised to educate guests on Armstrong’s history and enduring impact.
Satchmo SummerFest is scheduled annually to coincide with Louis Armstrong’s birthday on August 4th; the first festival took place on what would have been his 100th birthday, the same year the New Orleans airport was renamed Louis Armstrong International Airport. The artist often stated in public interviews that he was born on July 4, 1900 (Independence Day), a date that has been noted in many biographies. Armstrong died in 1971 and his true birthdate, August 4, 1901, was not discovered until the mid-1980s.
Satchmo SummerFest is scheduled annually to coincide with Louis Armstrong’s birthday on August 4th; the first festival took place on what would have been his 100th birthday, the same year the New Orleans airport was renamed Louis Armstrong International Airport. The artist often stated in public interviews that he was born on July 4, 1900 (Independence Day), a date that has been noted in many biographies. Armstrong died in 1971 and his true birthdate, August 4, 1901, was not discovered until the mid-1980s.
Переглядів: 70
Відео
GiveNola Day FQF 24 Joy Clark Video Testimonial
Переглядів 1073 місяці тому
Joy Clark joined the FQFI family as musician at French Quarter Festival (FQF) and Holidays New Orleans Style in 2022. She has gone on to grace the FQF stage every year since becoming a beloved artist among the crowds. Today, she shares why she supports FQFI.
The 40th Anniversary of French Quarter Festival: Pt.5
Переглядів 777Рік тому
French Quarter Festival presented by Chevron, celebrated its 40th Anniversary April 13-16, 2023. To commemorate this milestone, French Quarter Festivals, Inc. shares a series of stories from its Festival family. The four-day Fest welcomed more than 875,000 food and music fans from around the world to enjoy an authentic Louisiana experience full of family, friends and unforgettable memories. Che...
The 40th Anniversary of French Quarter Festival: Pt.4
Переглядів 543Рік тому
French Quarter Festival presented by Chevron, celebrates its 40th Anniversary April 13-16, 2023. To commemorate this milestone, French Quarter Festivals, Inc. shares a series of stories from its Festival family. Part 4: From behind the scenes, the FQFI staff shares their memories and excitement about Fest and explains what makes this annual event so unique and special.
The 40th Anniversary of French Quarter Festival: Pt.3
Переглядів 326Рік тому
The 40th Anniversary of French Quarter Festival: Pt.3
The 40th Anniversary of French Quarter Festival: Pt.2
Переглядів 454Рік тому
The 40th Anniversary of French Quarter Festival: Pt.2
The 40th Anniversary of French Quarter Festival presented by Chevron
Переглядів 138Рік тому
The 40th Anniversary of French Quarter Festival presented by Chevron
The 40th Anniversary of French Quarter Festival: Pt.1
Переглядів 1,1 тис.Рік тому
The 40th Anniversary of French Quarter Festival: Pt.1
Irma Thomas, Soul Queen of New Orleans at FQF 2022
Переглядів 9422 роки тому
Irma Thomas, Soul Queen of New Orleans at FQF 2022
Maxine Gordon & Ricky Riccardi: Louis Armstrong on the Road in Louisiana in 1952
Переглядів 1232 роки тому
Maxine Gordon & Ricky Riccardi: Louis Armstrong on the Road in Louisiana in 1952
Christopher Renshaw: ‘A Wonderful World’, The Making of a Musical
Переглядів 6502 роки тому
Christopher Renshaw: ‘A Wonderful World’, The Making of a Musical
Robin & Harris Parson: Louis Armstrong the Humanitarian
Переглядів 722 роки тому
Robin & Harris Parson: Louis Armstrong the Humanitarian
Ricky Riccardi: Video Pops: Heart Full of Rhythm: The Big Band Years of Louis Armstrong
Переглядів 1482 роки тому
Ricky Riccardi: Video Pops: Heart Full of Rhythm: The Big Band Years of Louis Armstrong
John McCusker: When Dippermouth Met Kid Ory
Переглядів 1152 роки тому
John McCusker: When Dippermouth Met Kid Ory
Adonis Rose & Gwen Thompkins: An Interview with Adonis Rose
Переглядів 862 роки тому
Adonis Rose & Gwen Thompkins: An Interview with Adonis Rose
John Boutte sings "Somewhere Over the Rainbow" at Seven Days of Satch
Переглядів 3,5 тис.4 роки тому
John Boutte sings "Somewhere Over the Rainbow" at Seven Days of Satch
Tuba Skinny performs at Seven Days of Satch!
Переглядів 199 тис.4 роки тому
Tuba Skinny performs at Seven Days of Satch!
Treme Brass Band performs at Seven Days of Satch!
Переглядів 5 тис.4 роки тому
Treme Brass Band performs at Seven Days of Satch!
Hang at Home with Louis & Ricky Riccardi at Seven Days of Satch!
Переглядів 5574 роки тому
Hang at Home with Louis & Ricky Riccardi at Seven Days of Satch!
Nicholas Payton & Melissa A. Weber at Seven Days of Satch!
Переглядів 4594 роки тому
Nicholas Payton & Melissa A. Weber at Seven Days of Satch!
Tribute to the annual Satchmo SummerFest Jazz Mass and Secondline
Переглядів 3924 роки тому
Tribute to the annual Satchmo SummerFest Jazz Mass and Secondline
Topsy Chapman performs at Seven Days of Satch
Переглядів 3,8 тис.4 роки тому
Topsy Chapman performs at Seven Days of Satch
Meschiya Lake performs at Seven Days of Satch!
Переглядів 9 тис.4 роки тому
Meschiya Lake performs at Seven Days of Satch!
Wendell Brunious performs at Seven Days of Satch!
Переглядів 6 тис.4 роки тому
Wendell Brunious performs at Seven Days of Satch!
Herlin Riley performs at Seven Days of Satch!
Переглядів 5 тис.4 роки тому
Herlin Riley performs at Seven Days of Satch!
Ricky Riccardi & Maxine Gordon discuss The Big Band Years of Louis Armstrong at Seven Days of Satch!
Переглядів 5074 роки тому
Ricky Riccardi & Maxine Gordon discuss The Big Band Years of Louis Armstrong at Seven Days of Satch!
Wycliffe Gordon and Fred Kasten at Seven Days of Satch!
Переглядів 9374 роки тому
Wycliffe Gordon and Fred Kasten at Seven Days of Satch!
Seven Days of Satch Cafe' Dauphine Cooking Demo
Переглядів 4574 роки тому
Seven Days of Satch Cafe' Dauphine Cooking Demo
FUCKING GREAT!
MARAVILLOSO
7:45-7:50
Gwen Thompkins is THE BEST interviewer out there!! This is captivating but where is the rest of it?? It ends in mid sentence just as Mr. Cotton is warming up...
okay i found the rest of it by searching both of their names
Forty years ago stopping into Preservation Hall. Still great toe tap jazz, if new players!
Misspoke. Sixty years back!!
The lineup is great!
And it was 53 years ago...... he left this world, NEVER to be forgotten......
Sure miss Jason Lawrence on the 6 String Banjo... He left the band awhile ago, as I write now it is June 2024. His Banjo added lots of depth and texture, and his resonator guitar intros were legend. Many have come and gone from the core group of Tuba Skinny...but I especially miss Jason's sound!
Every song features the bass🤣
TUBA SKINNY...FOREVER...!!! 👏🎶📽️🖋️📖🖌️🎨🎺
Who are the pianist and bassist?
48 years ago I was a bass in a barbershop quartet. High school, Northport NY. We were called "The Close Shaves". I have the original reel to reel tape recording of the 25 songs we learned over the years and taped in 1976. No bragging here BUT, Lead, Tenor and Bass are pretty easy to learn, baritone? Are you kidding me? It is the part that no one knows about until it isn't there, the " fill in the blank" part that has no normal progression. For Theo to come in overnight and read this music and be a part of this group is nothing short of spectacular!
You guys messed up big time,where's Erika? You need a singer and she was it. Great female singer who suited your style Shame you couldn't see what you had
Why have Erika left the group?
Beautiful music, beautiful band, beautiful Shaye ❤😊😊🇬🇧
I could listen to them 24/7 if I didn't have to skip them from time to time to focus my brain and concentrate on modeling marketing content - grin and grumble....
Wonderful to see you folksback at playing THE BEST N O jazz ever. Love your direction Shaye.
Hell of a rythm section.❤😂
Maravillosos
Muito bom
Awesome voice . Blaze your trail!
Salem Seantaire. Dad did, TheMusicMan,vv/Donald O'Conner
Excellent! No band playing this style of music is better than Tuba Skinny! Just perfect.
shaye @46:35
dang good audio too
I saw Satchmo live in Holland in 1959. Shaye must have incredible leadership qualities to keep those boys together for so many years. Barnabus trombone guy just walked away from a set of Hee How.
I don’t know how the heck this popped up for me-my daughter’s name is Jennifer Odell. This isn’t her 🙃
❤
This is a wonderful find. Mr Giddins conveys so vividly the atmosphere and the sense of wonder he feels for music. His books are like this too, the music and the world in which it inhabits is vividly described. Thank you for posting this gem.
❤❤❤❤❤🎉🎉🎉🎉🎉
I am so glad i found this interview after senseless youtube battles with a youtuber, attempting to rewrite the origins of jazz on his platform. It is incredible how there are people still out there who do not like the premiemence of blackness in Jazz, the music they love.
That's not even the problem. Anyone who doesnt think black Americans contributed to jazz and other American music is not a serious person. The actual problem is Nick's misunderstanding that culture and community are inherent. In his original tirade on his blog in 2013/14, he was quick to point out that race and jazz (id go as far as saying any genre of music can be marketed solely for monetary gain) are capitalist constructs. Yet, 2 paragraphs later he quipped: "I don't think the selling of the art is the problem. It's the forces that control the system under which it's sold that creates conflict. Most of which it can be solved by calling it Black music" Anybody with a principled understanding of social relations and market ecology can infer that Nick doesn't understand what capitalism is. A more in depth understanding of how talks of culture, which became the substituted temperment of racial biology that was prominent in the pre WW2, began to displace talks of political economy and the understanding of what you do as who you are would shine a light on his mystifications. Simply changing the name of a genre of music doesn't stop Spotify and record labels from commidfying art and puntively harming musicians financially. Nick isn't even concerned with that as he still thinks the "system", capitalism, is ultimately ok if only 14% of the 1% were black owners. What's left is proportionate inequality Even more troubling is him literally taking a page from Victorian era race science with a quote from the same post, "There is a rhythmic lilt to how you phrase that is in encoded in your DNA." There is? I've yet to see any scientific peer reviews on rhythm being a biological trait and not what it actually is -a learned skill whether by it being around you while growing or institutionally taught. But perhaps he's referring to the culturalist hyperbole of "it's in our blood". Either way, it's a form of trying to proclaim authenticity in order to elevate one's or a social groups status. "We (insert social group) are the progenitors of this art form because it's in our blood and thus we should own it". A fun thought experiment would be to do an extreme inverse. A white guy made the internet, thus only white people should profit from it and all future understanding, talks surrounding and on it, and material interest concerning it should solely be understood as coming from a white tradition.... Lunacy. The proclamations of authenticity or real speaker for the communitarian is ultimately why he, quite literally, parades the BAM moniker on flags at shows as well as a hashtag on his website. It's just a marketing strategy wrapped up in neoliberal identity politics with a bit of folk wisdom an uncle tells you at Thanksgiving dinner. Nick shouldn't be taken seriously when it comes to politics and identity as he has no background in them. His takes on the government "scripting" covid should've relegated him to a canal st soap box. But he's a prolific trumpet player in whatever idiom or genre he wants to claim. If you're actually serious about these ideas you should read what political theorists say about these ideas: www.theobeers.com/reed-archive/drums-saying-booker/
I saw your comment here 7 months ago and made a mental note to use the thread as a dead mailbox if it ever made sense. Now there is already a response to your comment that should also be discussed. I'll first read the other commenter's linked article and then respond. If the other commenter is reading here, I have a question for you in advance: Are you familiar with the racism that is experienced every day in the USA? And that it's not just Black vs. White. And of course this is lived in a capitalistically organized world. (Completely obvious)
@@narosgmbh5916 hi. If it's me you are refering to as the first commentator...yes, I am familiar with race tension in USA/ Americas and the UK and the Caribbean
@@deetee4403 When we talk about Payton, I always refer to the varieties of American racism as it is embedded in American society and effects the lives of Americans. In practical life there, this can mean, that in some areas you can get only construction jobs if you are of Latino American ethnicity, in other areas you are better off beeing Irish American if you want to become a police officer. This can be continued endlessly and shows how the USA is racially divided through the fragmentation into communities/races (unequal) and then thinks about how they can get rid of this systemic racism, because at the same time all Americans are supposed to be equal. If legal scholars there are supposed to take on the problem, they are not some left-wing or right-wing "weirdos" but rather the leading minds of the American legal system Now back to Payton and the music. There are schools of art that have reproduced in informal cadres from the first masters to their students, who would later become masters themselves . Take the Boldon, Oliver, Johnson line to Louis Armstrong. All his role models, non of them in the music education program of the music learning schools. And that's what Payton is reffering to, the typical black path to mastery. Play (learn) with old masters and listen to old masters long enough until you are mature enough to be a master yourself. A transfer of knowledge/skills to the next generation that is completely different than the traditional path in white educational institutions. Being excluded as a black person and creating something on your own path, including a self-created black educational path, can rightly be called Black American music. Because I knew Joe Zawinul and the path he took, he also called it black American music, learned in the black American music school. There is a story about Zawinul that he had a black drummer (not Billy Cobham) who had been living in Switzerland for many years flown in for a audition and knew beforehand that nothing could happen with him - anyone who has spent many years outside the black musician community has forgotten everything, was his premonition, and he was right. Where Payton gets to the core, he correctly describes what black music is. Where Payton becomes a philosopher, he would have been better of remaining a musician and using the time to hone his musical mastery. Even a master never stops learning in the black school of music. (I wrote in such detail above to make clear how far the chatter of our unembloyed youtuber is from American reality )
@@narosgmbh5916 @narosgmbh5916 I really couldn't put it better than you have, so often white people have a tendency to just thinl things follow a linear line that they know of and are comfortable with. The idea then that there is something else going on alongside, is either treated with suspicion or incredulity, which leads to attempts at being discredited. Andy, doesn't feel included and so he comes up with theory after theory until he finds one that he is comfortable with but each time it is discredited by the musicians themselves. Andy was initially trying to say that creoles were not blacks and he cited Sidney Bechet in support of this, not acknowledging the nuance in Bechet's comment, that what was really being said was that he was not African American who were seen as the lowest of the low...but Bechet is still black. A lot of white liberals really don't understand this finer point and so would not know that as I have continually said, jazz can be music with black origins and also American music. In regards to Andy, I believe he is currently unemployed because his big mouth has got him into trouble with his university and he had to resign. It might be the same situation as with his friend Martin Speake, whose black students are boycotting his classes. Look up Martin Speake boycott.
They just want to makeus all happy!
promo sm 😘
Ricky Riccardi is the ultimate authority about all things Louis Armstrong! His spirit epitomizes Armstrong. Louis is surely smiling on him.
😄
Very interesting presentation and wonderful to see the film restored. A historically important film. 32 year old Louis at his performance peak. Wonderful sound. His mannerisms and expressiveness; wonderful to see in live performance this early! He overshadows the inadequacies of the band he was provided. Louis Lives!!!!!
When knowledge meets passion and humor, you have perfection. That's our heroes Louis Armstrong and Ricky Riccardi together in 1933.
Wow, I think Louis Himself would have enjoyed this outstandingly playing band. Reminds me of the Hot Fives.
I’m craving some some red beans 🫘 now!!!😋
Shaye Cohn is a fantastic trumpet player with 🥚🥚🎉
What is title of the first song?
Bravo...hope to see him one day in Nola. Greetings from Italy.
Rolf Dressler Großartige Musik - und famose Musiker allesamt: authentisch, sympathisch, liebenswert und die ebenso bescheidene wie brillant virtuose Shayne Cohn ragt sogar noch einmal besonders heraus.
Sorry, Shaye Cohn of Courage! RD
Sorry, Shaye Cohn, excuse me … RD
This year, from California, it will be our 23rd Festival!! We are looking forward to it!! ❤
❤❤❤BRAVO
Great performance, my friend.
Jazz Hammond organ music
I was there for this. Ricky Riccardi’s presentations are always a highlight of Satchmofest.
👍👍👍
glad for the subtitles
Amazing research. Someone actually identified the name of the announcer at the Suburban Gardens who refused to announce Louis on the radio. That story is known by every Armstrong fan and I always wondered what the name of the announcer was and a researcher actually found it out. Ok researchers. Answer this. What did the Melrose brothers do with the dictaphone cylinders Louis recorded solos on for the 50 Hot Choruses book? I read one account that they returned them to Louis. Did anyone ever ask Louis if he still had them or what happened to them?